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Rug Morning Session at The Textile Museum
with Saul Barodofsky

As recorded and commented upon by R. John Howe (many thanks John) www.turkotek.com

On June 15, 2002, Saul Barodofsky,one of those who has been presenting at TM rug mornings for many years, gave a "new collectors" presentation. Saul, who as most of us know, has a rug shop in Charlottesville, VA is also one of the owner/managers of Turkotek. He is a busy man, traveling frequently to Turkey and lots of other places (Russia in September!) to replenish his stocks. (I have scanned photos from a rug morning session he gave two years ago for which I have not yet been able to get a text.) This time we outsmarted him. I took the photos and Christine Brown, a regular, like myself, at these Rug Mornings, took a good set of notes. Saul may have seen and made corrections in what follows, but any errors are mine alone.




Saul, is a performer with a definite "shtick." Harold Keshishian often says that he should have been a vaudeville comedian. Saul was in his usual high form on June 15. He began by explaining that he is one of those who does not think that only old material is interesting or collectible. He referenced the late Ralph Yohe, a well-known collector and rug author from Wisconsin, who collected a large number of items, some of them seemingly without great discrimination, and who bragged about the fact that he had never sold anything he had collected. Soooooo, Saul said, this morning he would, among other things, be showing us some of the pieces from his own "Ralph Yohe" collection.

He began with a very unusual piece.




This piece, Saul said, was one commemorating the era of Attaturk. The figure in the small square is Attaturk himself. The piece has a number of traditional Turkish symbols in it, including the Turkish flag, a hunting dog or wolf and an agricultural scene inscribed with one of Attaturk's famous sayings, "The real masters of Turkey are the peasantry." Although of no great age, this piece is well composed, colorful and full of interesting features.

Next, Saul had several examples of a format not seen much and unusual to find in good condition. Saul's were genuinely "old" pieces but in "new" condition.




These were examples of "Bergama cuvallari," a species of grain bag done in flatweave with bands of sumak on the front. The examples he had were from the pre-synthetic era and some had the original carrying straps that are sewn onto them.

I personally find that the backs with their simple stripes (4) are frequently as attractive as the fronts.




In fact, the first such piece I owned is a back that I bought not knowing really what it was or what the front looked like.
  
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